THE DOOM THAT CAME TO THE THREE CITIES An excerpt from The Abolition of Species by Dietmar Dath “We badgers,” said Georgescu, the green badger, sitting in the red sand in front of the […]
From the archive of the Czech fictive genius Jára Cimrman, the “Loos Mobil” is a mobile phone system designed by Cimrman with Adolf Loos. This drawing comes to us from David Růžička.
Selected, with an introduction by Seph Rodney
The poems of Nina Pick selected for this issue of The Nomadic Journal demonstrate the powers Pick brings to the page: some poems are acts of startled witness, others confessional quests for comprehension, still others describe the movement of the speaker toward a romantic other…
Impulsively, on September 14, 2007, Sajitha rolled up some paintings and caught the train for Delhi, nearly fourteen hundred miles from home, where the language, Hindi, was unrelated to her own. She lacked enough money to live and was too proud to ask anyone for help….
Sajitha R. Shankhar is the rare living woman artist from the South of India to have multiple works in the National Gallery of Modern Art of India. Yet there was no context for her ambition in her family or the traditional south Indian life. Journalists and critics have both praised the autobiographical strain in Sajitha’s art and argued that her work goes beyond her own story.
There were two reasons why the situation didn’t depress me too much. First there was the proximity of the water. I’d often walk over to the bridge opposite the Maritime Museum, where I’d lean against the railing … the water was as drab and impervious as the cargo ships sliding through it. Sometimes I longed to live on such a ship, although I couldn’t tell you why. The second reason was an obsession I’d developed for the other side of the street. It consisted not of houses, but of a long, not very high wall.
By Éva Forgács
Hungarian artist Miklós Erdély (1928–1986) would not have thought twice about boarding a spaceship, sweeping aside physical fitness and other pedestrian worries. Space seemed to promise first-hand answers to urgent and intriguing questions… Thinking more like an artist than a scientist, Erdély was taken by the dilemma of black holes, which could signify the same kind of discontinuity in time and space that he thought artwork signified in culture.