fiction by DoppelHouse Press
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North Korea

By Niña Weijers

There were two reasons why the situation didn’t depress me too much. First there was the proximity of the water. I’d often walk over to the bridge opposite the Maritime Museum, where I’d lean against the railing … the water was as drab and impervious as the cargo ships sliding through it. Sometimes I longed to live on such a ship, although I couldn’t tell you why. The second reason was an obsession I’d developed for the other side of the street. It consisted not of houses, but of a long, not very high wall.

Art by DoppelHouse Press
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Miklós Erdély, Time Traveler

By Éva Forgács

Hungarian artist Miklós Erdély (1928–1986) would not have thought twice about boarding a spaceship, sweeping aside physical fitness and other pedestrian worries. Space seemed to promise first-hand answers to urgent and intriguing questions… Thinking more like an artist than a scientist, Erdély was taken by the dilemma of black holes, which could signify the same kind of discontinuity in time and space that he thought artwork signified in culture.

Art by DoppelHouse Press
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Alberto Burri at the Guggenheim

By Seph Rodney

Around each bend in the Guggenheim rotunda, Alberto Burri’s works give off the scent of free-form experimentation, worked by both the elements and the will. He applied heat, flame, pressure to disparate mediums; he ripped and tore fabrics, allowed substances to dry, crack and fissure, all the time attentive to the process as well as to what could happen if something in the formula were changed. It seems counterintuitive that being so careful and particular, so watchful, would be tantamount to liberty for Burri. But his independence conspicuously reveals itself here.

Art by DoppelHouse Press
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Volume without Contour: The Work of Artist Rona Lee

By Andrew Patrizio

Artist Rona Lee has realized a remarkable series of works through constructions of her extended engagement with oceanographic research. In addition, Lee takes on the mantle of the ocean as a metaphor for the female body that can point us in new directions, above and beyond, or perhaps through, the notion of an art/science encounter and into a subtly feminist art discourse.

Art by DoppelHouse Press
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A Foot Forward, or Foot in Mouth?

By Krystina Mierins

In March 2015, the Carnegie Museum of Art announced that Ingrid Schaffner will curate the next Carnegie International (CI), the second oldest survey of contemporary art in the world. Over the next three years, Schaffner will attempt the Herculean task of assessing and distilling contemporary art from around the globe. Of particular interest is the Hall of Sculpture, a room that has proven to be highly appealing to artists and curators, but is riddled with challenges.

Art by DoppelHouse Press
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An Alter-Ego of Consequence: Artist Katarina Burin and the Architect Petra Andrejovna-Molnár

By Glenn Harcourt

It is easy to imagine both the increasing complexity of the task and the frisson of guilty (or not so guilty) pleasure that must have marked the slow unfolding of this project: the construction of a historical alter-ego through the elaboration of a virtual archive, and the creation of an alternate life, and an alternate world, within the actual world of interwar Eastern Europe. But to what end?