By Andrew Patrizio
Artist Rona Lee has realized a remarkable series of works through constructions of her extended engagement with oceanographic research. In addition, Lee takes on the mantle of the ocean as a metaphor for the female body that can point us in new directions, above and beyond, or perhaps through, the notion of an art/science encounter and into a subtly feminist art discourse.
Just weeks after his historic zero gravity flight out of the Yuri Gagarin Cosmonaut Training Center in Star City, Russia, Nomadic Journal editor Carrie Paterson had the pleasure of interviewing Nahum, the Project Director for the massive art exhibition La Gravedad de los Asuntos (Matters of Gravity).
By Krystina Mierins
In March 2015, the Carnegie Museum of Art announced that Ingrid Schaffner will curate the next Carnegie International (CI), the second oldest survey of contemporary art in the world. Over the next three years, Schaffner will attempt the Herculean task of assessing and distilling contemporary art from around the globe. Of particular interest is the Hall of Sculpture, a room that has proven to be highly appealing to artists and curators, but is riddled with challenges.
By Glenn Harcourt
It is easy to imagine both the increasing complexity of the task and the frisson of guilty (or not so guilty) pleasure that must have marked the slow unfolding of this project: the construction of a historical alter-ego through the elaboration of a virtual archive, and the creation of an alternate life, and an alternate world, within the actual world of interwar Eastern Europe. But to what end?
By Bansie Vasvani
Architectural construction, assemblage, and symmetry play a vital role in Róza El-Hassan’s sculpture. Deeply inspired by unnamed Syrian artists whose work she describes in an essay as avant-garde for its spontaneous expressiveness, El-Hassan’s own art comes close to capturing the ethos and pathos of these displaced people.
By Carrie Paterson
Among the many references loaded like cargo into Maryrose Cobarrubias Mendoza’s subtle and humorous sculptures are Southern California’s pattern of Filipino immigration, ecosystems, local bungalow architecture, shipping containers, chemistry and space travel. Yes, space travel, but we’ll get to that.
By Krystina Mierins and Carrie Paterson
Gregor Schneider’s Die Familie Schneider is part haunted house, part palimpsest, an installation shown originally in two doppelgänger East London counsel flats, and which has now been compiled into an illustrated book. The lauded German artist, who has made his name building claustrophobic rooms, has a secret—and he’s not telling.
Simon Clark’s record of a summer’s arduous travels through his native British Isles tells the story of a bicycle messenger on an unexpected and perhaps unwarranted journey to find recipients of postcards abandoned on Floreana, in the Galápagos Islands.
What attracts audiences to horror films during an economic downturn? Artist, filmmaker and horror film historian Kurt Forman takes us there in Outside the Frame.
Interview by Anne Hars
A founder of Sci-Arc, Glen Small is “one of the dear eccentrics of American architecture … and an early leader in the movement for green building,” according to Michael Sorkin. In a series of email exchanges with Anne Hars, Small sheds light on present conditions of urbanity and ecological crisis through a brief lesson on the megastructure movement in architecture.
