By Ed Schad
As people, later in life, begin to mourn the lives they were never able to live, common laments involve time and undeveloped talents, misplaced priorities, and lack of attention to what could have been the great loves of one’s life. I personally mourn a never achieved facility with languages. … I can only stare at Paul Celan’s poems through the wet glass of translation.
By Liliana Rodrigues
LR – I understand that your new work is done in three-days per painting. I am curious about this time constraint you impose on yourself. In the past, fresco painters had to deal with the properties of freshly laid wet plaster and pigments; thus, they were forced to paint quickly. What does it mean for you, as a contemporary painter, to set a time constraint on yourself?
The Nomadic Journal 